The Patriarch’s English-language sermon is applauded, and then most of the crowd starts out. It is half past twelve, the tourist buses go back to Jerusalem at 12:40, so whoever wants to stay on the second half of the Mass, should look for a taxi for himself. I go out of the church. It is still raining, splashing on the wheels of black limousines, the potentates have started to go home from the church. I go in, nobody is in may way any more. The Mass is still going on in the sanctuary of the slowly abandoned church. Nobody takes selfies any more, everyone who remained are paying attention to the priest. I sit down in a side chapel, facing the manger. I offer the ones I bring with myself.
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La nueva versión también incluye las publicaciones antiguas, a menudo en una forma ampliada. Si tiene curiosidad por la versión actualizada de esta entrada, sustituya «riowang.blogspot.com/» en la URL por «riowang.studiolum.com/es/», y el nuevo enlace probablemente le llevará allí.
The manger
The Patriarch’s English-language sermon is applauded, and then most of the crowd starts out. It is half past twelve, the tourist buses go back to Jerusalem at 12:40, so whoever wants to stay on the second half of the Mass, should look for a taxi for himself. I go out of the church. It is still raining, splashing on the wheels of black limousines, the potentates have started to go home from the church. I go in, nobody is in may way any more. The Mass is still going on in the sanctuary of the slowly abandoned church. Nobody takes selfies any more, everyone who remained are paying attention to the priest. I sit down in a side chapel, facing the manger. I offer the ones I bring with myself.
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