Easter Sunday in Sardinia

Every year we return to Oliena for Easter Sunday, the feast of s’incontru, the meeting, when the statues of the risen Christ and Mary, carried by Sardinian men and women, meet each other on the lavender carpet of the main square, and Christ bows before His mother. The ceremony is the same every year, and yet it is always new. The faces are different, the children are a year older, their last year’s costumes are given to new little ones, other boys gather to sing four-part Sardinian folk songs, the young accordionist who last year led the dance in a girl’s dress, now wears a boy’s dress… And even what is the same seems new after a year: how they relive the centuries-old tradition, with full devotion, in traditional dress and ceremony, but as a part of their modern lives, not as a tourist attraction, but as a celebration for themselves, to affirm their own identity.

There had been heavy rain in Sardinia during the previous days, and this morning it was still drizzling, so it’s no wonder that at nine in the morning there are hardly any people in the usually crowded main square. Only the descendants of the bandits are firing rifles in front of the church, the eldest son of each clan with the ancient flint.

We go to the church of the Holy Cross on the edge of the old town, whence the procession of the statue of Christ will start. For now, the church is empty, only its floor is sprinkled with lavender, and a few woman are waiting in- and outside. But soon the procession arrives from the Franciscan church, where the body of Christ spent the previous day and two nights after the deposition from the cross on Good Friday evening. The statue is carried into the church. The assistants, chatting and offering cakes, are waiting for the ten o’clock bell to ring, when the procession will start for the main square.

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At the sound of the bells, the statue is raised. The flag bearers of the religious companies stand behind it, and the procession steps out of the church gate. They move slowly, stopping at every corner, waiting for news of how the other procession with the statue of Mary is progressing.

The main square is already full. The villagers, dressed in traditional costumes, stand in two lines on both sides of the path strewn with lavender branches, waiting for the two processions to enter and for the two main characters to meet. As the statue bearers see each other at the end of the two streets leading onto the square, the processions start, and the statue of Christ bows before His mother, the Sardinian men carrying it before the Sardinian women carrying Mary, amidst the deafening gunfire of the bandits.

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Then the two processions, joined by the spectators, march up the main street to the parish church, where the Easter mass begins.

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Only a part of the participants go into the church. Most of them stay on the church street, where all the bars are open and running at their peak. They huddle in groups, talking and drinking, and some boys practicing four-part Sardinian songs. Not as a performance for the audience: this is also part of the local identity, renewed every year.

At the end of the mass, the people in the church also come out. The accordionists rehearse in the middle of the church square, and then the round dance begins, in which the whole village participates, regardless of traditional costume. This year, another national dress appears on the square: the colorful outfits of four young women from Dubai, which look like Muslim national costumes. They clap and wave happily from the audience, but they do not join in the dance. In the intervals I hear local families coming up to them and inviting them to lunch in broken English.

This is the accordionist boy (?) who played last year as a girl

And the climax of the dance: when the villagers dance not to the accordion, but to a four-part Sardinian choir, as they did for centuries, before the arrival of the first accordion. Everyone feels the solemnity and historical depth of the moment, and at the end they applaud the singers for a long time.

Even in the day of Easter Sunday and s’incontru, in Italy the greatest sacrament is the Sunday family lunch. Being late for it is a bigger sin than being late for church. So after the choir, most of the spectators start to leave. The Dubai girls are herded home by an elderly couple dressed in traditional costume. We also head down to the beach of Cala Gonone, to eat fish at the cave of the sea cows.

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