Photos by Mustafa Nayyem. Situation plan by Dmytro Vortman. Up-to-the-minute coverage by Ilya Varlamov in English.
Switch over to our new blog! • ¡Pásese a nuestro nuevo blog!
The renewed version of our blog, with more features, a richer design, and available in nine languages, can be read here: https://wangriver.com
The new version also includes the old posts, often in expanded form. If you are curious about the updated version of this post, replace “riowang.blogspot.com/” in the URL with “riowang.studiolum.com/”, and the new link will most likely lead you there.
La versión renovada de nuestro blog, con más herramientas, un diseño más rico y disponible en nueve idiomas, se puede leer aquí: https://riowang.com
La nueva versión también incluye las publicaciones antiguas, a menudo en una forma ampliada. Si tiene curiosidad por la versión actualizada de esta entrada, sustituya «riowang.blogspot.com/» en la URL por «riowang.studiolum.com/es/», y el nuevo enlace probablemente le llevará allí.
Kiev, last night
Photos by Mustafa Nayyem. Situation plan by Dmytro Vortman. Up-to-the-minute coverage by Ilya Varlamov in English.
Observed portraits
Click for a full map. Today the Tisza river, above Már(amaros)-Sziget is the border
between the Ukraine and Romania. The red dots mark the places about which
we have already written, but we will also write about much more.
Someone else, however, not only looked down, but also went down, and spent a summer there; the Azerbaijani Rena Effendi, about whose beautiful and heartbreaking photo album The Line of Life we have already written. In that album she published her photos about the brave new world under development in the Caucasus along the Baku-Tbilisi-Ceyhan oil pipeline. In this series, however, she wanted to show an archaic – albeit slowly eroding – world. Her photos have now won the third prize in the Observed Portraits, Series category of World Press Photo 2014.
in italiano • auf Deutsch • magyarul
Kőrösmező, Terminus
But this is not why we publish the photo of the station. It is an excuse to tell one more story from the Subcarpathian travelogue of Sándor Török. Having said goodbye to the little guide, Nyumi Blutreich, he goes to the Kőrösmező railway station, to travel further to Rahó. We are in the summer of 1939, several months after the Hungarian administration replaced the Czech one, but the Hungarian authorities have not yet been able to keep up with the changes. This inspires gloomy thoughts in the traveler. As history has proved, it is not without reason.
“A Polish train has just arrived at the station. It only came this far, and will go back soon. It has the table on its side: Stanislau – Voronienka. An old watchman is looking at it, and reading it: It has come from Veronica – he says.
The traveler goes into the traffic office, and showing his ticket, he professionally says: please, give me a date-stamp. The clerk looks around on his table, and then says to the others: – Where’s the stamp?
The question runs through three or four people: where is the stamp? – Who has the stamp? – Have you not seen the stamp? – Finally the stamp is found, the clerk takes it in hand, and presents it to the traveler, apologetically:
– We are not quite equipped yet – he explains –, in fact, this is not the proper stamp. This, you know, is a cash-stamp. Twenty years ago, at the change of state the cashier took it with her. And now, after twenty years she has brought it back, and so there you are, I have kept the stamp. And now we use it.
The railway clerk is a young man, around twenty-two or twenty-three. The stamp is obviously older than he, since just the time it spent out of service was twenty years. And where and how? At a former cashier, as a souvenir. It was more or less a knick-knack in her glass cupboard… Or more: a Legion of Honor, a symbol of loyalty to the office, of an oath upheld. Something like the gun or the flag salvaged at the capitulation at the end the war of independence in 1849. This might have been a central fact in the life of the cashier, and it must have been a great experience, when after twenty years she reported to the new stationmaster, and handed over the stamp: here you are. She certainly put on her Sunday clothes… – thinks the traveler, and the stamp is now promoted from a souvenir to an official object again.
How beautiful is this!… the traveler thinks, while sitting in the restaurant of Rahó’s Tourist Hotel in this evening. However – the traveler needs to say – he feels that the old stamp should have been used for one stamping only, in a solemn way, and then it should have been sent back to its master, the former cashier, who had kept it; yes, sent back to her with a beautiful letter from the President Director of the Hungarian Railways, such as: please keep this precious souvenir in the future, since we have as many new stamps as we need. – The traveler would have written this letter like that, or perhaps in a less formal tone. He would have been much happier if the story of the stamp had been only told to him, but his ticket had been stamped already with a brand new stamp of Kőrösmező.”
magyarul
The Moravians who said no to Czechoslovakia
|
|
The territorial losses of Germany after WWI were by no means as great as those of Hungary or Turkey, but they had a much greater influence on world history. True, it was deprived of its colonies amounting to about four million square kilometers, but the country itself lost only 13% of its core territory. Nevertheless, these losses almost all took place in the most humiliating way. A propos of a German irredentist stamp series found in a family album, we will visit one by one these territories: Alsace-Lorraine, Danzig, Posen, Upper Silesia, Southern Schleswig, the Memel region, Eupen-Malmedy, and a small, almost unknown piece of land: the Hlučín area (Hultschiner Ländchen). This last one is where we begin.
It is not widely known that the newly formed Czechoslovakia – whose mere name was misleading, for on the basis of the proportion of its ethnic groups it should rather have been called Czechogermanoslovakohungaroruthenia, given that it had at least twice as many Germans as Slovaks – also took part in the post-WWI retailoring of Germany. The territory annexed by them, the Hultschiner Ländchen, is quite peripheral in the various sources; it usually does not deserve more than a mere mention. Images and texts on it are also available in very small numbers.
The new Czech and Moravian borders run almost without interruption through German-speaking areas. There was only one small area outside the historical borders which could not escape the attention of the new government. In Upper Silesia (before WWI an integral part of the German Empire) around
According to article 83 of the Versailles Treaty, the Hlučín Territory – with an uncertain area, the data varies between 286 and 316 square kilometers – was to be annexed by Czechoslovakia. The territory was probably secured by the Czechs for themselves at the end of the war, because the Upper Silesian referendum held in 1920 did not affect this small area. So the local population had no chance to officially decide whether they wanted to belong to Germany, Czechoslovakia or (no mistake) to Poland.
Nevertheless, the inhabitants of Hultschin/Hlučín did not acquiesce in the decision of the great powers. In November 1919 a large-scale counter-Czech demonstration was held in the area. And as for a referendum, they also held their own on the basis of Wilsonian principles, but it was never recognized as officially binding by the Czech government. The vast majority of the local population, 93.7% of 48,466 people, voted in favor of Germany, despite the fact that only 15%, or 6,500 persons (in Czech sources, 10%, or 4,500 persons), were German-speaking. In spite of the referendum, on 4 February 1920 the Czech army entered the territory. They must have been quite surprised when, instead of the shower of flowers due to liberators, the masses marching in front of the soldiers sang “Deutschland, Deutschland über alles”.
Due to the uncertain border demarcation, the accurate determination of the German-Czech border dragged on until 1924. The affiliation of the German-inhabited settlements of Sandau, Haatsch and Owschütz, as well as the farms of Rakowiec and Lichtenhof falling to “no man’s land”, was finally decided by the Council of Ambassadors in 1923. In terms of the memorandum, which was favorable to the Czechs, Sandau and Haatsch went to Czechoslovakia, while the Lichtenhof and Rakowiec farms returned to Prussia. In the two German villages occupied by the Czech army, the locals tore out the border stones and destroyed the sentry box at the new border. The Czechoslovak army was able to restore order only later, with the help of five infantry, one artillery and one scout battalion.
The inclusion of the Hlučín Territory in the new state did not go smoothly. The Czech power shut down the German schools and laid off the teachers. In the census, only people with German names were counted as Germans, the rest were automatically registered as Czech. Whoever protested against this, such as Alois Bitta, the parish priest of Ludgerstal, was fined by 2000 crowns. The parents protesting against the school closures, who did not allow their children to go to the new Czech schools, were also fined. Prison sentences were quite common, due to the ongoing protests, so that the jail of Hlučín was simply called by the locals “the German House”. About 4-5000 people fled to Germany because of persecution and unemployment.
In the first elections under Czechoslovak sovereignty, the German parties obtained 76.4% among the population, which was “Moravian in language, but German in feeling”* And in 1935 – by which time everyone would have thought the troubled waters were calmed – the Sudeten German Party led by Heinlein won 65% (according to other sources, 75%). In light of this, it is easy to understand why in 1938 the Moravians of Hlučín received the German soldiers with a shower of flowers for the liberators.
The annexation of the Hultschin Territory was humiliating to Germany not because of its size, but rather because of its principle. While Czechoslovakia, supported by the great powers, and with reference to the self-determination of peoples, was able to negotiate a new border for the 40 thousand Moravians in Germany (who had absolutely no intention of joining Czechoslovakia), the 3.5 million Germans on the other side of the border waited in vain for the same on the principle of reciprocity and self-determination.
in italiano • auf Deutsch • magyarul
30 000 kilometrů
|
|
|
Tyto snímky dokládají, že Baťka měl nejen kněžské schopnosti, ale i výrazný cit pro vyváženou obrazovou kompozici a vytříbenou formu, poněkud neobvyklý v kontextu amatérské fotografie. Jeho snímky často svou přesvědčivou kompoziční jistotou obracejí naši pozornost úplně mimo význam zobrazených objektů.
Baťkovy snímky zobrazují krajinu, lidské charaktery, moderní společnost a její technologie; ve své jasnosti a zdánlivé objektivitě odkrývají charakter překotně se měnící doby téměř před sto lety, sledované pozorným divákem s relativním odstupem cizince. Baťka nezachytil rychle mizející dobu jen na fotografiích – doprovodil své snímky také bezprostředními zápisky z americké cesty.
Na jedné z fotografií vidíme Baťku samotného – trochu zavalitého, pracovitě vyhlížejícího muže středního věku s odstávajícíma ušima a sovími brýlemi. Jeho rukopis je psán úhledným pravidelným písmem včetně oprav a různých barevných značek, podle kterých se můžeme dohadovat, že ho možná připravoval k publikaci. V každém případě se postavil k dokumentaci své cesty velmi zodpovědně.
Mnohé z jeho fotografií zachycují prostě to, co pro něj muselo být novinkou : velké lesklé automobily, letadla, newyorský Luna Park, parník Queen Mary, nebo dokonce skutečného Indiána.
Mnohé se vyznačují promyšlenou geometrií a značnou kompoziční vyvážeností: hory amerického západu, strom joshua, moderní křivky velké Boulder (nyní Hoover) Dam, Grand Canyon, Monument Valley, Yellowstone. Přestože některá ze zachycených míst jsou turistickými atrakcemi, Baťkovy snímky vynikají pečlivou kompozicí a citem pro fotografické řemeslo, které jim dávají formální čistotu a nadčasovost.
Mezi Baťkovými obrazy najdeme některé, které zachycují - buď záměrně nebo náhodou – řadu běžných situací, které v nás silně zarezonují svou opravdovostí. Navždy zmrazují nenávratně ztracené okamžiky. Vstupujeme do světa Středozápadu Spojených států třicátých let pohledem cizince z neznámé země, kterou by si většina lidí zachycených na jeho snímcích těžko dokázala představit.
Učený Baťka je také laickým antropologem - zobrazuje rodinné a profesní vztahy, zaklíčované v držení těla a ve vzájemných konstelacích, režírovaných na jevišti skutečného života. Stejně jako pozdější američtí pouliční fotografové šedesátých let dobře věděl, jak naaranžovat scénu a světlo z dobrého úhlu a kdy stisknout spoušť.
Některé snímky jsou spíše prozaické: můžeme přijmout jejich „objektivní“ pravdu - problematickou pravdu dokumentární reportáže. Ale v jiných můžeme najít vizuální citlivost, která příbližuje tyto amatérské obrazy umění.
Po návratu do Čech učil Mons. Baťka teologii na gymnáziu v Nymburku. Během německé okupace se mu podařilo vyhnout se vězení. Později, po komunistickém puči a následných persekucích náboženské obce, odešel do důchodu do rodného kraje, kde působil jako kněz ve vzdálené farnosti blízko Klatov na Šumavě.
Druhou polovinu svého života prožil Baťka spolu s mladší sestrou Marií v malé vesnici
V roce 2008 se staly základem multimediální výstavy s názvem „A z tohoto důvodu…“ v
in English • in italiano • auf Deutsch • magyarul