Thus the 8/1939 edition of Journalul Sonor guided the cinema audience to Cernăuți, proudly showing the sights of the city, its famous public buildings, and last but not least the brand new trolleybuses.
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Studiolum has already suggested that the majority of the Jews of Cernăuți luckily survived the hard times, but this did not mean that all their days passed in peaceful harmony. The parade below from the early 1940 is a good example for that.
The participants are marching with the portraits of Charles, King of Romania.
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Not even half year later the area was already in Soviet hands. The camera of Alexandr Dovzhenko, who is well known to the readers of Río Wang from other cities with a similar fate, of course showed quite differently Chernovits.
It is obvious that this city, despite all superficial similarities, is not identical with the one in the previous film. And by the end of the film the viewer cannot have any doubt where is better to live: in Chernovits or in Cernăuți.
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