We climb the narrow street that leads to the mosque, and beyond it, to Narikala Citadel and the botanical garden.
The mosque is today the property of the Azeris living in Tbilisi. Across the street is a memorial plaque to the popular Azeri actor of Tbilisi, İbrahim Hüseyn oğlu Hüseynzadə, who, as an artist, went by the name İbrahim İsfahanlı (1897-1967). The Azeri quarter has been largely restored. Maybe a bit more than necessary, but the horse-headed terminals the balcony consoles on the house next to the mosque are still like they were in the hundred-year-old pictures.
The everyday door to the mosque opens from behind the alleys of the Azeri quarter. Turning into the alley, two pretty little girls step out before us in front of their flat, the older one holding an advertisement with multi-language inscription.
“Pictures for sale!” The exhibition of pictures for sale has been arranged in the two windows of the flat, while even more objects of art are being created on the steps. From the same vendor, hand-painted shells for a bargain price.
“Arşın mal alan!” – “Silk for sale!” The titular aria from Uzeyir Hajibeyov’s successful 1913 comic operetta, the first Azeri opera (movie version of 1965, the full film is to be seen here). The locations in the film recall old Tbilisi.
The language of the older girl quickly goes back to Georgian as she prattles on, and Turkish, Russian and English, although in the latter she’s still mixes up the numbers. Her little sister is just learning the businesswoman’s job, but she already poses in a skilled way when we ask them whether we can take photos of them with the shells we purchased. “Come next weekend, too. We sell every Saturday and Sunday here in front of the house.” “Next week we will not be here”, I say, “but in May we’ll be back with a great company”. “Come, by then we’ll have gone down to the sea with my parents, we will bring new shells, a lot.”
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